نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری گروه زبان و ادبیات فارسی، دانشکده ادبیات، دانشگاه الزهرا(س)، ایران، تهران
2 استادیار گروه زبان و ادبیات فارسی، دانشکده ادبیات، دانشگاه الزهرا(س)، ایران، تهران (نویسندة مسئول)
3 دانشیار گروه زبان و ادبیات فارسی، دانشکده ادبیات، دانشگاه الزهرا(س)، ایران، تهران
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
in eight different aspects regarding semantic coherence: musical coherence, correlation of syntactic structures or sentimental meanings, symmetry, contradiction, cohesion, artistic reasoning, polysemy, and wordplay. Sa'adi has invented, in Farsi's poetry, a kind of simple and smooth ghazal. Its simplicity and real expressions of amorous attitudes are the most prudent traits of his poems. His wonderwork in choosing the vocabulary and his method to combine and put the words together, besides the uniformity, has reached solidarity of construction and signification of his ghazals. That is why he has been imitated by many of the poets of different periods, especially by those who have used ghazals as their main genre. For example, the lyrics of Kadjar who has tried to have the same character of simplicity in their poems. Mazhar Hamedani, one of the Kadjar's poets, has not only pretended to poetize just like Sa'adi but somehow better than him. Thus, it seems necessary to compare and analyze the poems of these poets by the style of Sa'adi. In this project, by using an analytical and comparative method, we have analyzed 100 ghazals of each poet according to the solidarity of meanings factors. the results show that the most similarities between Sa'adi and Hamedani can be found in the solidarity of meaning, utilization of the interrogative phrases, and creating the opposition of meanings.
کلیدواژه‌ها [English]
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