نوع مقاله : مقاله پژوهشی
نویسندگان
1 استاد گروه زبان و ادبیات فارسی، دانشکده ادبیات و علوم انسانی، دانشگاه قم
2 دانشجوی دکترای زبان و ادبیات فارسی، دانشگاه قم
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
Rhetorical semiotics is one of the types of "textual codes" in Daniel Chandler's tripartite classification, encompassing a broader range than previous rhetorical discussions and is not limited to verbal elements; rather, these signs can be sought in images, sounds, or the context of speech. In this semiotic approach, the relationships between signs and their implicit meanings are examined from a rhetorical perspective, and in addition to linguistics, it is applicable in the analysis of other artistic works such as cinema, painting, photography, music, and architecture, as well as poetry, narrative, and dramatic literature. In this article, we analyzed and examined the story and film "The Pear Tree" based on rhetorical signs categorized into four classifications: semiotics of symbols, semiotics of intertextual elements, semiotics of oppositions, and semiotics of expressive elements, each of which consists of several components. The results of these analyses showed that rhetorical signs such as metaphor, simile, irony, metonymy, synecdoche, proverbs, binary oppositions, paradox, and various symbols related to people, objects, sounds, and nature are present throughout the text's context in a latent manner, accompanied by hints that guide the audience to discover that rhetorical sign. Based on the analyses, instances related to the first category, semiotics of symbols, and the fourth category, semiotics of expressive elements, were found more frequently than the other two categories in the story and film "The Pear Tree"; moreover, the most significant rhetorical sign of these two works can be considered their title, "The Pear Tree," which serves as a metaphor for the main character.
کلیدواژهها [English]
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