نوع مقاله : مقاله پژوهشی
نویسندگان
1 دکترای زبان و ادبیات فارسی، دانشگاه ایلام، ایلام، ایران (نویسنده مسئول)
2 استاد زبانشناسی ، دانشگاه سیستان و بلوچستان، زاهدان، ایران.
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
Critical discourse analysis is a branch of discourse analysis that deals with the relationship between language, power, and ideology. Teun A. Van Dijk has presented a new model that uses a variety of four-fold strategies: formal-syntactic, content-semantic, rhetorical, and socio-political to help understand the ideological square hidden in the processing of characters. This can lead us to a different understanding of why incidents occur in a story. In Symphony of the Dead, the forward progress of the story shows that the death of all the characters, which further enhance the tragic tone of the work, is inevitable. The endless wandering and suffering of the characters in the story, their constant conflict, and the confrontation that clearly places them in the two "insiders" and "outsiders" provide a place to plot a broader confrontation, of course, in political and social dimensions; the confrontation between Iranians as "insiders" and foreigners invading Iranian territory as "outsiders". Also invading the private spheres of people's lives, the "out-group" is the cause of widespread famine, poverty, and hunger among the people. Also, the results show that van Dijk model, by presenting a better image of the true "insiders" and a worse image of the true "outsiders", attempts to display the tragic image resulting from the death and destruction of "insiders" in a more complex way than usual. Symphony of the Dead uses sub-strategies such as negative construction, pseudo-cleft and cleft constructions, actor description, comparison, counterfactual, victimization, consensus, norm expression, etc. to develop the four main strategies, each of which is effective in the reader's final understanding of the story.
کلیدواژهها [English]
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