Investigation of phonological and lexical balance in Anvari's sonnets

Document Type : Original Article

Authors

1 Ph.D. in Persian language and literature, teacher at Farhangian University of Tehran

2 Ph.D. in Persian language and literature, teacher at Zabol University: Corresponding Author

Abstract

The music of poetry is one of the most beautiful and appealing elements of poetic texts, which is found in Anvari's sonnets, which is accompanied by repetition and balance. Anvari, with the help of phonetic balance, and the use of a slight balance, used many different metaphors in his poetry, which increased the rhythm of his sonnets. He balances the types of repetitions with a slight balance so that repetitive consonants and vowels with a high frequency of consonants "D", "R" and enjoyment of the long vowel "A" are the lyrics. In the discussion of lexical balance, Anvari uses a variety of repetitions of a complete linguistic form, which is well known by repeating the types of nouns, verbs, and words in the beginning, between and in the rhyme position, so that repetition of the verb in the rhyme position is more frequent. He uses the complete repetition of a linguistic form in the form of menadas and sentences, and by using; a repetition of an incomplete linguistic form makes it possible to use a variety of puns in the sonnet, which is more pronounced with repetition of puns and lines. . Thus, it can be said that Anvari has given certain music to his sonnets using a variety of consonants and repeating a complete and incomplete linguistic form. We have identified in Anvari's sonnets, and then analyzed each of them, specifying the frequency of each in the form of graphs.

Keywords

Main Subjects


  1. Agha Hosseini, Hossein and Zainab Zare (2013), Aesthetic analysis of the phonetic structure of Ahmad Azizi's poetry, Persian Language and Literature Quarterly, No. 44, pp. 101-127.
  2. Alvi Moghadam, Mehyar (2001), Theories of Contemporary Literary Criticism, 2nd edition, Tehran: Samt Publications.
  3. Anuri, Ohaddin Mohammad (1985), Divan Anuri, edited by Saeed Nafisi, Tehran: Sekah Publications.
  4. Babakhani, Tahereh; Heydari, Ali and Masoud Sepahwandi (2019), Coherence in Khaqani and Hafez's poetic verses based on Halidi's systematized model, Journal of Linguistic and Rhetorical Studies, year 11. No. 22, pp. 71-108.
  5. Bagheri, Mehri (1996), Introduction to Linguistics, Tehran: Ghatreh.
  6. Barani, Mohammad (2003), the literary function of language and its varieties, Farhang Magazine, No. 46 and 47, pp. 55-70.
  7. Eliot, T.S. (1996), Selected Works in the Field of Literary Criticism, translated and authored by Dr. Seyed Mohammad Damadi, third edition, Tehran: elmi.
  8. Farshidvard, Khosrow (2005), the Persian grammer of today, Tehran: Sokhan.
  9. Haqshanas, Ali Mohammad (1992), phonetics (phonetics), Tehran: Aghah.
  10. Homai, Jalaluddin (2014), Rhetorical Techniques and Literary Industries, 33rd edition, Tehran: Sokhan.
  11. Imranpour, Mohammadreza (2016), the importance of elements and structural features of words in the selection of words in poetry, Gohare goya Publishing House, first year. Number 1. pp. 153-180.
  12. Jafari Qoriya-Ali, Hamid (2022), the function of lexical contrasts in the validation of lasting verses, Scientific Journal of Linguistic and Rhetorical Studies., year 13. Number 7, pp. 124-91.
  13. Khorramshahi, Bahauddin (2006), Hafeznameh, 16th edition, Tehran: elmi.
  14. Modaresi, Yahya (2008), an Introduction to the Sociology of Language, Tehran: Institute of Cultural Studies and Research.
  15. PoYan, Majeed (2013), phonetic stylistics of Hafez Shirazi's poetry according to Morrisgramon's views, Persian poetry and prose stylistics quarterly (Bahar Adab), year 5, number 3, serial number 17, pp. 35-43. 1391.
  16. Qays Razi, Shams (1981), Al-Mujajm fi al-Ajam poems, edited by: Mohammad Qazvini and Modares Razavi, third edition, Tehran: Zovar
  17. Qoumi, Mahosh (2013), Avaha va Alkaha (an approach to the poetry of the akhavan sales), Tehran: Hermes.
  18. Richards, E A. (1996), Principles of Literary Criticism, translated by Saeed Hamidian, Tehran: Scientific and Cultural.
  19. Safavi, Korosh (2014), from linguistics to literature, first volume, fifth edition, Tehran: Surah Mehr.
  20. Samrah, Yadullah (2014), Phonology of Persian Language, Tehran: Markaze daneshgahi.
  21. Shamisa, Siros (2002), a new look at Badi, 13th edition, Tehran: Ferdous
  22. Shafi'i Kodkani, Mohammad Reza (2004), Poem Music, 8th edition, Tehran: Agah.
  23. Sohba, Forough (2005), The Basics of Poetry Aesthetics, Journal of Humanities and Social Sciences of Shiraz University, Volume 22, Number 3 (Continued 44), pp. 90-109.
  24. Tudordev, Tzu tan (2012), Theory of Literature, Texts of Russian Formalists, translated by Atefeh Tahai, Tehran: Dat.
  25. Toosi, Khwajah Nasiruddin (1990), meyar al-Ashaar, by Jalil Tajlil, Tehran: Jami.