Compound Political-Lyrical Images in Mirzā Ghahramān Malāyeri's Sonnets

Document Type : Original Article

Author

Assistant Professor, Department of Persian Language and Literature, Farhangian University, Tehran, Iran

10.22075/jlrs.2025.36830.2607

Abstract

Persian poets have always used various literary tools and techniques as the subject of their artistic practices. One of these literary elements is imagery, which has many aesthetic values. Mirzā Ghahramān Pākbin Malāyeri, knowing the importance of poetic images in enriching the literary essence of poetry, has also used this artistic element. This research aims to study poetic images in Mirzā Ghahramān Malāyeri's sonnet using a descriptive-analytical method to introduce the audience to a new and unknown type of poetic imagery that has been neglected so far. The result of the research indicates that one of Malāyeri's techniques is the combination of lyrical and political images to create of a new type of image, which we have named "compound image" in the present study. In a single verse, the poet presents political themes and events of his era in the form of literary images and artistically and synthetically blends these political images with lyrical images, creating a composite image with high frequency, which can be said to be unprecedented in Persian literature. These two images have the same value in terms of aesthetics and meaning and are equal in terms of scope. And, these images are so intertwined that the reader cannot easily prefer one over the other. The innovative combination of these two types of images reinforces ambiguity in the image and challenges the mind with inherently high artistic value.

Keywords


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