Visual associations of celestial elements and animals in Zolāli Khānsāri’s poetry

Document Type : Original Article

Authors

1 PHD student, Persian Language and Literature, University of Shahid Bahonar, Kerman, Iran: Correspondence author

2 Associate Professor, Persian Language and Literature, University of Shahid Bahonar, Kerman, Iran.

3 Associate professor of Shahid Associate Professor, Persian Language and Literature, University of Shahid Bahonar, Kerman, Iran.

Abstract

Celestial elements and animals are among the most frequent phenomena in the poetry of Zolāli Khānsāri, each of which can individually represent a central image or together create a set of visual associations in combination. Accordingly, the present study aimed to investigate the visual associations of celestial elements and animals in Zolāli Khānsāri’s poetry. To achieve this, the verses in question were selected using library method and analyzed via qualitative content analysis at the textual and verse levels. The identified visual associations were placed into three categories; visual associations of celestial elements, visual associations of animals, and common visual associations of celestial elements and animals as central images. The visual associations of celestial elements in Zolāli Khānsāri’s poetry, based on their frequency, are the color, the representation of eloquence, the description of beauty, the influence on fate, the power, the light and illumination, talking about wine and its derivatives, and the rotational movement. The visual associations of animals are the reflection of wisdom, the description of beauty, talking about wine and its derivatives, desire for fire, display of malice and deceit, the representation of misery, representation of eloquence, the description of power, and color. The common visual associations of both celestial elements and animals are the description of praiseworthy power, the color, light and illumination, representation of eloquence, the description of beauty, and displaying the rotation and movement. Innovations can also be seen in his imagery of celestial elements and animals.

Keywords

Main Subjects


- Bassak, Hasan & Mirnejad, Mohammad Taghi (2015), “Types of Imagery in Hafiz Poetry Based on Surrounding Environment’s Objects, Moods and Phenomenon", Journal Of Stylitic Of Persian Pom And Prose (BAHAR-E-ADAB), Issue.3(29), pp.81-94.
- Bahar, Mehrdad (2010), A Research in Iranian Mythology, Tehran: Agah.
- Bayat, Hosein (2016), “Linguistic Relativity and the Perception of the Sky Color in Persian Poetry", Literary Criticism, Issue.32, pp.29-52.
- Dahmardeh, Heydar Ali & Shahgoli Samere (2018), “Hakim Zolali Khansari and the Art of Synthesis", New Literary Studies, Issue.2(201), pp.103-132.
- Zakeri, Ahmad & Faezeh, Jamaran (2011), “Animals in Saadi's works", Persian Language and Literature Specialized Quarterly, Issue.6, pp.29-56.
- Rahimi, Amin & Mousavi, Seyedeh Zahra & Morvarid, Mehrdad (2015),  “Animal Symbols of the Ego (AN-NAFS AL-AMMARAH) in Mystical Texts Relying on the Works of Sanal, Attar and Rumi", Literary Text  Research (Persian Language and Literature), Issue.62, pp.147-173.
- Zolali Khansari (2006), Divan of Zolali Khansari, Correction of Saeed Shafieyoun, Tehran: Library, Museum and Document Center of Iran Parliament.
- Sarmast, Yadollah Mazdaraei, Morteza & Yazdani, Hossein (2020), “Investigating the simile in Zoolali Khansari's", Journal Of Stylitic Of Persian Pom And Prose (BAHAR-E-ADAB), Issue.9(55), pp.241-260.
- Salajeghe, Parvin (2011), “An Investigation Into How Animal Symbols Function In Poetry Of Saib Tabrizi And Bidel Dehlawi", Research in Persian Language & Literature, Issue.21, pp.121-140.
- Selden, Raman (1993), Guide to Contemporary Literary Theory, translated by Abbas Mokhbar. Tehran: New design.
- Shafiei Kadkani, Mohammad Reza (1992), The Poet of Mirrors, Tehran: Aghah.
- Shafieyoun, Saeed (2008), Zoolali Khansari and Indian Style, Tehran: Sokhan.
- Shamisa, Sirous (2008), Culture of Telemities, Vol. 2, Tehran: Mitra.
- Gholam Hosseini, Parvin Ghanooni, Hamid Reza & Safari Jahangir (2016), “The Study of the Symbol oF “Bird” in the Hamid Mosadegh Poems", Journal Of Persian Language And Literature, Issue.1(14), pp.105-125.
- Fotouhi Rudmajani, Mahmoud (2006), Image Rhetoric, Tehran: Sokhan.
- Foulladi sepehr, Raziye & Mahyar, Abbas (2014), “The Painting of the Astromomical Principles in the Poetry of Anvari", Persian Language And Literature, Issue.76, pp.89-107.
- Mohammadi Asiabadi, Ali (2008), Hermeneutics and Symbolism in Shams' Ghazals, Tehran: Sokhn.
- Mohammadian, Abbas & Farhanizadeh, Majid (2019), “ Conceptual Metaphor of “ Happiness” in Divan Shams", Journal Of Linguistic And Rhetorical Studies, Issue.18, pp.319-350.
- Nabilou, Alireza (2015), “A Investigation of the Image of Nightingale in Persian Literature", Journal Of Linguistic And Rhetorical Studies, Issue.37, pp.235-262.
- Nazarifar, Fateme Kolahchian, Fateme Malmir, Mohammad Ebrahim & Salemian, Gholamreza (2022), “Semantic and Aesthetic Function of Constellation in Rumi’s Sonnet", Journal Of Linguistic And Rhetorical Studies, Issue.29, pp.303-330.