Document Type : Original Article
Authors
1
PhD Student, Faculty of Humanities, Shahrekord Branch, Islamic Azad University, Shahrekord, Iran.
2
Associate Professor of Persian Language and Literature, Faculty of Humanities, Shahrekord Branch, Islamic Azad University, Shahrekord, Iran.
3
Assistant Professor of Persian Language and Literature, Faculty of Humanities, Shahrekord Branch, Islamic Azad University, Shahrekord, Iran.
Abstract
Layered stylistics is a method of contemporary stylistics that examines and analyzes works in a textual manner based on the layers that create them (lexical, phonetic, syntactic, rhetorical, and ideological). Using layered stylistics, one can achieve the characteristics of individual style, ideas and ideology that govern the text of the poet or writer. The main question of the research is how can the stylistic features of Farokhi's poetry be studied and determined using layered stylistics? This research deals with the descriptive-analytical method and library method to study the stylistic features of Farrokhi's poetry collection with a layered stylistic approach. After analyzing the characteristics of Farrokhi's individual style in the lexical layer, the frequency of sensory words is glorious with structural codes. From the stylistic feature of the syntactic layer, we can point to the shift from the standard syntax, the emphasis on the verb and the institution, as its tools, which has led to the formation of a continuous and active syntactic style. By examining the syntactic layer in the sections of word quality, markup arrangement, style and structure of sentences, etc., each section has a special stylistic feature. The verb and the institution have the most movement in the sentence level and the frequency of compound and simple sentences has caused the combined style. Sentence structures have rhetorical continuity. In the aspect of verbs, they have a predictive and then an emotional aspect and a high frequency. In terms of constraints, time and state constraints have a high frequency. In the grammatical sound section, the text has an active sound due to the frequency of transitive and quasi-unknown verbs, and also the expressive sound is the last component of light sound in Farrokhi.
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