Five senses play a significant role in the formation of the rhetorical images in the poetry and give it artistic dimensions contribute to the deepening of vision which the poet seeks to its transfer.The senses consensus allows the poet to the field to suggest investment in one or more hactin, and allows him to convey his feelings from its usual strange to deviation level. This means that, the five senses leave its usual functions to odd jobs intersect logically familiar with its functions to achieve what he wants from the poet purposes unable to deliver normal installation.From this standpoint, This article pays to the survey and annotation the term of "Synesthesia" as one of the instruments of "semantic deviation" in Contemporary Poetry of Iran and Iraq.The questions that arise here and try to answer them, are summarized as follows: How used both Poets of Iran and Iraq the Correspondance technique in their poetry?
kiani, R. (2017). Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq). The Journal Of Linguistic and Rhetorical Studies, 7(14), 161-192. doi: 10.22075/jlrs.2017.6690.
MLA
reza kiani. "Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)", The Journal Of Linguistic and Rhetorical Studies, 7, 14, 2017, 161-192. doi: 10.22075/jlrs.2017.6690.
HARVARD
kiani, R. (2017). 'Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq)', The Journal Of Linguistic and Rhetorical Studies, 7(14), pp. 161-192. doi: 10.22075/jlrs.2017.6690.
VANCOUVER
kiani, R. Semantic deviation in actual use of the senses (Contemporary Poetry of Iran and Iraq). The Journal Of Linguistic and Rhetorical Studies, 2017; 7(14): 161-192. doi: 10.22075/jlrs.2017.6690.
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